| Seminar 2009 | |
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What a fantastic event this was. Full report coming soon |
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Nick Agar Nick is a highly sought-after and unique woodturning artist. He and his work are both inspired and influenced by nature, geography, ancient artefacts and cultures worldwide, and he feels a strong connection with the ancient civilisations such as North American Indian, Egyptian, Mayan and Aboriginal arts. Before his apprenticeship in woodturning at Dartington with the late Duggie Hart, where he turned production kitchenware, Nick was a forester in Devon and it was here that he gained a deep understanding and affection for wood and discovered his natural ability to read it. Inspired by organic forms, pottery and his natural surroundings he specialises in hollow forms and large diameter work including his renowned wall sculptures. Utilising burrs and natural edges, decoration also plays an important role in his pieces. Carving, texturing, colouring and scorching are among many of the surface enhancements that he uses. Nick’s favourite woods to work with include burrs and native timbers such as sycamore, ash, oak and elm together with spalted timbers like beech. |
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Benoit Averly Born in 1980, Benoît Averly grew up in the Burgundy region of France. He graduated from high school in 1999 and then worked in different fields and travelled in several countries in Europe and North America. He began turning wood in 2002 with Gilbert Buffard and made it his profession in 2003. In the spring of 2004 he had the chance to work with well known turner Richard Raffan from whom he learnt a lot about design and production. He has been Raffan’s workshop assistant in both France and the United States. He maintains contact with Richard Raffan who has been an inspirational mentor for him. The development of his work has extended to include woodcarving. In 2005 Benoît was invited to the Provo woodturning symposium in the United States where he exhibited and demonstrated. He learnt a lot during this trip and met woodturners from all over the world. This has led to his being invited abroad again for demonstrations and exhibitions. In the spring of 2006 Benoît won the national contest for young craft artists "Concours Jeunes Createurs" organized by Ateliers d’Art de France and later in the same year he won the "Prix Départemental de la SEMA" His work is now part of the collection of the museum "Musée des Pays de l’Ain." |
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| Eli Avisera Eli Avisera was born in 1960. He grew up, studied and continues to live in Jerusalem. Between the years 1973-1977 he studied at the School of Wood Art in Jerusalem. Since then Eli has been a professional woodworker. As an international woodturning demonstrator and teacher Eli has been invited to many countries to show his unique variety of techniques. He uses a line of his own signature tools which have been developed and based on over 30 years of experience in woodturning. In 1988 Eli established the "Wood Craft Centre" where he teaches workshops for furniture making, woodturning and carving at all skill levels. To date he has taught hundreds of students and has been instrumental in promoting this art. In 2003 Eli was invited to the Woodturning Centre in Philadelphia as a participant in the "International Turning Exchange". |
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Bob Chapman After teaching chemistry for many years, Bob took early retirement to become a full time professional woodturner. He is a member of the Register of Professional Turners and lives and works in Bingley, in West Yorkshire. He is a frequent contributor of articles on woodturning to both ‘Woodturning’ and ‘The Woodworker’ magazines and is much in demand as a demonstrator and teacher. He says this about himself… “When I meet other woodturners for the first time they sometimes ask me what I make. No matter how many times it happens, it always confounds me. I want to say that I'll make 'anything you want, as long as it’s round', after the style of Henry Ford's 'any colour you like, so long as it’s black', but the question always makes me feel slightly inadequate because I haven't got that 'single item' speciality that seems to be expected of me”. Although he still enjoys making the woodturner’s usual spectrum of bowls, boxes, hollow forms and, more commercially, staircase spindles, newels, table legs and so on, Bob is currently developing his own definitive style of work. He has begun exploring ways in which turned objects can be cut and reconstructed, as well as making them more interactive, to be rearranged to create different effects, rather than simply viewed from a single perspective. Despite lacking any formal training in design, Bob has achieved some success with these pieces and says ‘when a piece has no obvious function or use, it may be perceived as art or simply dismissed as worthless. It’s up to the viewer to decide and, fortunately for me, opinions on my work have tended to be favourable.’ |
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Mick Hanbury Mick Hanbury was born in Cyprus, the son of a soldier, and travelled around Europe for most of his childhood. He spent a lot of time in Germany and hence is fluent in German and can teach in German. He started his career as a cabinet maker where he made all manner of artifacts. Around 18 years ago he took to woodturning and since then has grown in stature to become one of the finest artistic turners. Mick Hanbury demonstrates at local and national shows in the USA, Germany, and Ireland and at woodturning clubs throughout the UK. Mick used to be the resident tutor at Doncaster College teaching Open College Network levels 1-3 to mature students. Mick also teaches his specialised woodturning techniques in his workshop in Lincolnshire as well as at Craft Supplies (in the UK and France), and at Isaac Lord in High Wycombe, Buckinghamshire. |
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Ray Key Ray has loved making things from wood throughout his life; his first recollections are from around the age of seven. Whittling, carving and fretwork were all interests. He has been a member of the Worcestershire Guild of Designer Craftsmen since 1973, during that time he has served as Secretary, Treasurer, Chairman and President. He has been turning wood for over forty years. His passion for his subject and his willingness to share his knowledge has resulted in considerable opportunities to travel. His making, teaching and demonstration skills are known worldwide. Seminars and workshops have been undertaken in Canada, Finland, France, Germany, Ireland, Israel, New Zealand, Norway, USA and the UK. He was the founding Chairman of The Association of Woodturners of Great Britain in 1987. In 1997 he was accorded Life Member status and is now our President. He was made a Life Member of the American Association of Woodturners in 2001. In 2002 he became a Freeman of the Worshipful Company of Turners by Presentation (a rare honour). These awards recognise his contribution and commitment to his chosen field. |
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Glenn Lucas From a farm at the foothills of Mount Leinster, Co Carlow, Ireland, Glenn developed a love of working with wood at an early age. At sixteen he became passionate about woodturning. He realised quickly that there was a demand for his well-designed and handcrafted pieces. On finishing school in 1993 he began an apprenticeship as a cabinetmaker where he learned many new skills. In 1996 he set up his own business as a woodturner and undertook a two year business course with the Crafts Council of Ireland in Kilkenny and Carlingford, Co Louth. Since then demand for his work has grown steadily. Returning to Co Carlow in 2005 with his family, Glenn built an efficient studio. From here he runs a business that produces approximately 1500 fine crafted bowls per annum. |
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Mike Mahoney Mike Mahoney has been a professional wood turner since 1994. His bowls are featured in galleries across the United States. Mike’s work is sought after by collectors all over the world. Mike is often requested to demonstrate and teach for woodturning clubs, craft schools and symposia. He has travelled around the world to discuss and demonstrate his craft. "I am passionate about my craft and the American Craft movement. I am dedicated to producing quality craft and educating the public about woodturning. My wood comes from urban sources (tree trimmers and local cities). I produce all my work on the lathe without any embellishments after the fact, creating a very traditional feel with contemporary ideas. I want my work to be attractive as well as useful. For my work to be admired is one thing, but for my work to be used fulfills my purpose as a craftsman." |
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Joey Richardson Joey, as well as being a mother and housewife, is a professional turner who first became interested in woodturning in 1993 after attending classes with Chris Stott RPT and Stuart Mortimer RPT She is on the register of professional turners held by the Worshipful Company of Turners, a member of the Association of Woodturners of Great Britain (AWGB) and the Association of American Woodturners (AAW). In 1998 she tentatively entered her first competitive work, ‘The Planets’ in the International Woodturning Show at Wembley where she gained the runner-up prize. This spurred her on to more competition work where she gained many firsts and trophies for her innovative work gradually honing her skills until in 2002 she was accepted on the Register of Professional Turners. Continuing with her competition work she won the Gold Medal at the International Woodworking Show at Alexandra Palace in the Prestige category in 2004. The real turning point for her career was when she won the 2005 Bursary award of the Worshipful Company of Turners which provided the funds for travel to America to study different techniques. After attending the AAW symposium, the biggest woodturning event in the world, Joey chose to study with Trent Bosch, David Nittmann and Binh Pho. |
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Al Stirt Al Stirt has been a professional woodturner for more than 30 years. His work is included in numerous public and private collections, including the Smithsonian, the White House and the American Craft Museum. He has demonstrated and taught about woodturning & design in England, Ireland, New Zealand and Canada as well as throughout the U.S. In 1997 the American Association of Woodturners awarded him an Honorary Lifetime Membership for his commitment and contributions to the field of woodturning. In addition to his functional bowls and platters, for the last 20 years he has been making ceremonial objects to try to address emotional and spiritual needs. |
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One-Slot Presenters In addition to the front rank presenters we also like to allocate single slots to new faces who have exhibited a talent for woodturning, and who may wish to put a toe in the great ocean of demonstrating. These individuals, probably four on this occasion, are selected by the Seminar Organising Committee, from amongst the first 100 or so delegates to sign up for the full Seminar experience. Likely people are approached by the SOC, not the other way round, and if they are agreeable a small financial incentive is arranged. Past one-slot presenters include Mark Hancock, Julie Heryet, John Berkeley, Simon Hope and Bob Chapman. |
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Click HERE to see what happened in 2007